与乔纳森·丁布尔比一起游非洲

  • Jonathan Dimbleby
  • <p>  After four decades of rep… <p>  After four decades of reporting from the continent, Jonathan Dimbleby returns to Africa on a 7,000-mile journey to discover how it is changing.<br/>  【Mali, Ghana and Nigeria】<br/>  He starts his African journey in the capital of Mali, Bamako, the fastest-growing African city. Following the course of the Niger river, Dimbleby finds not a continent of beggars but of industrious people, some of whom go to extraordinary lengths to make a living, free-diving 20 feet to excavate building sand.<br/>  Travelling north-east, he sees how tradition is preserved in an area where a sophisticated urban society has thrived for 1600 years. Jonathan gets his hands dirty as the apprentice of a 74-year-old mud mason in Djenne, a town built entirely of mud.<br/>  In Ghana, one of Africa's freest and most stable countries, Jonathan sees a spectacular festival before playing a game of golf with the King of the Ashanti, who recalls his time working for Brent council. Dimbleby attends the King's court to see what lessons the UK can draw from traditional African structures that promote harmony and reconciliation.<br/>  Jonathan discovers that the African brain drain is turning into a brain gain as economic opportunity and patriotism draw people home. Football unites Ghana like nothing else, superseding political and tribal divisions. There is a rich seam of young football talent on the continent in the year that the World Cup is hosted by an African nation for the first time.<br/>  In Lagos, Nigeria's business capital, Jonathan Dimbleby sees a different take on a city that is often depicted as a hotbed of violence, crime and corruption. He is taken on a private jet by Africa's richest man, then savours the creative talents of two of African music's rising stars who are helping to cement Lagos's place as the continent's cultural hub.<br/>  【Ethiopia, Kenya and Tanzania】<br/>  On the second leg of his illuminating journey across Africa, Jonathan Dimbleby travels 2000 miles through East Africa's Rift Valley.<br/>  Starting in Ethiopia, where he was the first journalist to report the 1973 famine, Dimbleby discovers the great strides being made to safeguard the country from future catastrophes.<br/>  In Kenya he finds out how mobile phones are revolutionising small businesses and even the lives of Masai tribes.<br/>  In Tanzania he joins in a football match with the judges and guards of Africa's own Human Rights Commission and meets the street kids in Dar-es-Salaam who are building an international profile for their music.<br/>  【Congo, South Africa and Zambia】<br/>  On the final leg of his 7,000-mile odyssey, Jonathan Dimbleby travels from Congo to Durban in search of the stories revealing contemporary Africa.<br/>  He learns how China's billion-dollar deals have rebooted African economies, once dependent on Western aid and investment.<br/>  Passing through Zambia, Jonathan survives a training session with boxing world champion Esther Phiri and meets Hugh Masekela, who shares with him his view of Africa's emerging revival.</p>
剧情简介
影片影评
经典台词
人物角色
作为一部纪实作品,影片的剧本完全摒弃了传统纪录片的叙事套路,以丁布尔比的第一视角行走为线索,将宏大的历史命题拆解为具体的人物故事,没有刻意的戏剧冲突,却因真实的力量而充满张力。丁布尔比并非专业演员,却以记者的本色出演成就了最动人的表演——他在难民营里握住孤儿的手时颤抖的指尖,在矿区听到童工讲述遭遇时泛红的眼眶,在部落长老面前认真倾听时前倾的身体,都比任何剧本设计更具感染力。这种非表演的表演,恰恰让影片的情感传递毫无隔阂。从历史价值看,影片是21世纪初非洲社会的珍贵影像档案:它记录了殖民时期划定的边界如何持续引发部落冲突,记录了资源掠夺如何加剧贫困循环,也记录了非洲本土知识分子对发展道路的反思。不同于西方媒体常有的非洲叙事偏见,丁布尔比没有将非洲简化为“苦难大陆”,而是呈现了其复杂性——既有被遗忘的伤痛,也有蓬勃的生命力;既有对外部世界的警惕,也有拥抱变革的渴望。这种平衡的视角,让影片超越了一般旅行纪录片的浅尝辄止,成为理解当代非洲的重要文本。
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这里的孩子每天在矿洞里工作12个小时,他们挖出的钻石,最终会镶嵌在几千公里外的戒指上,而他们得到的只有饥饿和疾病。
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我们总说非洲需要帮助,但有没有人问过,非洲人自己想要什么?是带着优越感的救济,还是平等的合作?
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这片草原上的狮子不会因为人类的边界线而停止迁徙,可我们却用铁丝网和枪口,把它们的家园切割得支离破碎。
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我祖父的祖父曾在这里放牧,现在我父亲在这里放牧,但我不知道我的儿子还会不会——学校教他的东西,和这片土地没有关系。
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大屠杀过去十六年了,我闭上眼睛还能闻到血的味道,可我的孩子们只知道和平,这到底是幸运,还是另一种遗忘?

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