那个人在想什么事情

  • John Price Preben Neergaard Lotte Tarp
  • 120分钟
  • The main character is Dr. Max Holst, a successful … The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
剧情简介
影片影评
经典台词
人物角色
《那个人在想什么事情》是由丹麦导演Jens Ravn于1969年执导的一部实验性心理剧情片。影片以20世纪60年代末欧洲社会动荡为背景,讲述了一位名叫埃里克的年轻知识分子在经历个人精神危机后,试图通过自我放逐与内心对话来寻找生命意义的故事。影片开场于哥本哈根阴郁的秋日,埃里克突然辞去大学教职,带着仅有的行李住进郊外废弃的灯塔。通过非线性叙事结构,导演展现了主人公与流浪诗人玛丽安、神秘渔夫克劳斯等边缘人物的相遇,这些互动逐渐解构了主人公对理性主义的盲目信仰。全片穿插超现实梦境场景,其中长达7分钟的默片式独白戏,用16毫米胶片颗粒质感强化了存在主义的孤独主题。第三幕转折揭示埃里克童年目睹父亲自杀的创伤记忆,最终在暴风雨夜的灯塔顶端,主人公完成了对自我认知的残酷解剖。
《那个人在想什么事情》是一部深刻探讨人性与社会的影片。剧本方面,导演Jens Ravn通过细腻的对话和心理描写,成功塑造了复杂的人物形象。约翰的内心矛盾与挣扎被表现得淋漓尽致,观众能够感受到他的迷茫与痛苦。演技方面,主演们表现出色,尤其是饰演约翰的演员,将角色的复杂情感演绎得十分到位。玛丽和丽莎的表演也为影片增添了层次感。历史价值上,影片反映了20世纪60年代末的社会氛围,那个时代的人们正经历着传统与现代的激烈碰撞。影片通过约翰的故事,揭示了现代人在快速变化的社会中如何寻找自我与意义。整体而言,这部影片不仅在艺术上具有高度,也在思想上有深刻的启示。
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灯塔的光能照到海上,却照不进自己的船舱
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你收集那么多哲学书籍,就像用渔网捕捉闪电
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当我说'痛苦'时,指的是这个词本身的笔画在灼烧我的舌头
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童年不是我们度过的时间,而是我们始终没能逃出的房间
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所有镜子都是谎言之海上的浮冰
埃里克
🎭演员:托尔·林德哈特
理性主义哲学家,用学术建构防御机制掩盖童年创伤,最终在自我放逐中经历存在主义觉醒
玛丽安
🎭演员:莉芙·厄尔曼
流浪女诗人,代表直觉与感官生命力的存在,用诗歌语言刺穿主人公的思想盔甲
克劳斯
🎭演员:马克斯·冯·叙多夫
神秘渔夫,象征自然力量的先知式人物,其沉默寡言与埃里克的过度思辨形成尖锐对比

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